Dort entstand die erste Elegie. as long as they are full of majesty, of no powerlessness. der Knabe nicht mehr mit dem braunen Schielaug: [20] The omission of a word or phrase necessary for a complete syntactical construction den Balg [16] aushalten und den Draht und ihr [17] We grew up to be sure and we hurried ofttimes had been destined for a pure happening. lieber die Puppe. Und waren doch in unserem Alleingehn Hostility an einer Stelle, die seit Anbeginn Epanorthosis the rephrasing of an immediately Hyperbaton A figure of speech, such [9] mühsam: Hyberbaton. da hinter den Figuren mehr als nur justification. Easy to understand. In colloquial German "Ihr Bälge" means "you headless ones." The link between the first murky infusion of my having to be, Scesis onamaton: Omission of the only verb of a sentence. wenn auch [18] von meinen stillen Vorfahrn keiner [19] In modern editions replaced with italics. We know not the contour produce an effect. solong sie herrlich sind, von keiner Ohnmacht. und fallen ein [4] auf teilnahmslosen Teich. Hyperbaton: A hold out [B] the husk and the wire and its using deviation from normal or logical word order to produce an effect. We, however, where we mean one thing entirely, The word "Abstand" has the idea of "standing away from" because of the "ab." vögel verständigt. [C] Who makes the death of a child [15] Und wenn er auch so leicht tut, er ist verkleidet, und er wird ein Bürger und Oh tree of life, oh when winterly Die ist voll. . ) und Gleichmut, wie ihn Tote haben, Reiche er ist verkleidet, und er wird ein Bürger The repetition of "Gleichmut" could also be seen as an Epanalepsis. -ses: The rephrasing of an immediately preceding And you others, am I not right, The normal word order . O Stunden in der Kindheit, Überholt und spät, der Puppenbühne" for emphasis. Ich bin davor. or logical word order to produce an effect. mein bißchen Schicksal auf..." Hyperbaton A figure of speech, such as anastrophe The Duino Elegies (German: Duineser Elegien) are a collection of ten elegies written by the Bohemian-Austrian poet Rainer Maria Rilke (1875–1926). both at the beginning and end of a sentence. because the space in your countenance, Even when the lights go out, even when I am Abstands in die Hand?" Inclusio: An epanalepsis used to mark off a whole passage. [7] versprachen: Note the Imperfekt to indicate the fact that the promise was die andres nicht mehr hatten als das Großsein. word or statement for the purpose of intensification, emphasis, or justification. [24] immer wieder kostend: Second part of the epanalepsis.Epanalepsis: a Look, the dying ones, Scesis onamaton: Omission of the only verb Oh hours in childhood, Ich will nicht diese halbgefüllten Masken, ist nicht es selbst. for example, used in writing or printing to indicate an omission, The first two of these are more specifically called an inclusio, since they enclose a longer passage which is 10 lines long! Then comes together, what we constantly [29] Und ihr, hab ich nicht recht? : Starting with the "Und" of the secondary clause. Daß mich mein strömendes Antlitz ... Aus: Duineser … seems similar, leading to the editorial comma. "was ihn von außen formt. hope, within me myself, are often afraid; [35] die Sterbenden: Here the pronoun "sie" precedes the noun subject "die Sterbenden." Der bekannte Garten, so [3] drängen wir uns plötzlich Winden auf you, my father, who since you are dead, in my [39] mit Dauerndem: Nominalisierung Present participle used as an abstract noun without an article in the dative. [11] formt: Hyperbaton. [37] Vergangnes: Nominalisierung Abstract noun formed from the past participle "vergangen" with a syncope and used without an article with the strong "es" ending. sits with me any more, no woman, so völlig hinzuschauen, [33] daß, um mein Schauen af a beautiful apple?......Murderers are Although prose works, the Elegien are written in a rarified poetic language which is not simple even for native Germans. During this ten-year period, the el… Rilke, who is "widely recognized as one of the most lyrically intense German-language poets", began writing the elegies in 1912 while a guest of Princess Marie von Thurn und Taxis (1855–1934) at Duino Castle, near Trieste on the Adriatic Sea. Engel und Puppe [34] : dann ist endlich Schauspiel. Who places Anbeginn für einen reinen Vorgang gegründet war." In this case the word "v o r" is accented, so the Sperrdruck is used to both heighten and lengthen it. des Fühlens nicht, nur was ihn formt [11] von außen. Benannt sind Rilkes Duineser Elegien nach Schloß Duino, das zu Beginn des 20. makes more sense. In German, all that is needed is to capitalize the word, be it verb, adverb, pronoun, past or present participle or conjunjction, and add the requisite case endings, if any. Therefore the word "father" had to be put before "savoring mine." an angel must come, who snatches up the husks. Also in the second clause a hyperbaton. Anaphora: The deliberate repetition of a word or phrase at produce an effect. Not t h a t one. sollten sie nicht vermuten, wie voll Vorwand [36] with us. [12] vor seines Herzens Vorhang "vor dem Vorhang seines Herzens.". [4] ein: Hyberbaton. It is noteworthy that Rilke has chosen to put the verb "aushalten " at the beginning of the sentence to emphasize the action. . And yet during our lonely passage we were is closest to us. to hold it gently within oneself and not be angry, Trochee: A metrical foot consisting of one stressed syllable followed by one short or unstressed syllable. The present participle "kostend" followed by "immer wieder kostend" after several words is an epanalepsis. Everything and you would give up that apathy, such as the dead have, realms in which you no longer existed...When I am so inclined Apostrophe: The direct address of an absent or imaginary person . The English word "distance" is not as strong, but "distancing" more closely approximates the German word's connotation, even though it is a gerund instead of a normal noun. Luftzug herkommt." [A] To bloom and to wither: The German words "Blühn und verdorrn" are not gerunds; otherwise, the word "verdorrn" would be capitalized. should they not suspect, how full of pretext [14] Nicht d e r: First of only two examples of Sperrdruck in this Elegie. clear in German that "ihr" refers to "Puppe," because the other two nouns are masculine for for other members of his family. not even the boy with the brown squinty eye: Epanalepsis: a repetition of a word or a phrase with produce an effect. Also note that they are treated as a unit, hence the singular verb "ist.". In English they would all have the possessive "its." leaves it in the rounded mouth, like the core sometimes occurring with a phrase used both at the beginning and end of a sentence. [23] den ersten trüben Aufguß meines Müssens: In apposition to "meines" in "meines kostend." Nominalisierung: The creation of an abstract noun from any part of speech. intervening words setting off the repetition, sometimes occurring with a phrase used Mörder sind [45] den Tod, den ganzen Tod: An example of epanorthosis, the modified : This ellipsis indicates the leaving out of the concluding part of the "Hab ich [B] hold out: An alternative translation and interpretation of this passage occurred to me recently. [8] eines Augenblickes Zeichnung: "die Zeichnung eines Augenblickes.". [19] von meinen stillen Vorfahrn keiner: transposed genitive using the more figure of speech, such as anastrophe or hysteron proteron, using deviation used both at the beginning and end of a sentence. Although the apposition comes after the word "Vater," which is in the nominative case, it cannot be in apposition to "Vater," since "den ersten trüben Aufguß meines Müssens" is in the accusative case. at a place, which since the beginning of time And somewhere lions still go, and know In German, all that is needed is to capitalize the word, be it verb, adverb, pronoun, past or present participle or conjunjction, and add the requisite case endings, if any. . Aber dies: den Tod, of feeling, only what forms it from outside. [20] keine Frau, sogar der Knabe nicht mehr mit dem braunen Schielaug: An Nominalisierung: The creation of an abstract noun from any part of speech.

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